Sunday, May 3, 2015

FINAL: Lab A -- The Readers' Advisor is In!

Subject #1: CK
Reader Profile
            CK is a voracious reader of horror and young adult books. She usually does not read anything that is not one of these two genres. However, she does really enjoy horror books that feature comic or fantasy elements, and young adult books with science fiction or dystopian elements. She enjoys the tension and scares of horror books, and the variety of subject matter in young adult books. She does not have cable television or internet access at home, so she mainly reads for entertainment between four to ten hours a day.
Interview
            I asked CK what book she has read that she would like to be able to read again. She stated that she would love to read Horns by Joe Hill again. This led me to believe that she would like to read a horror book that has a funny and fantastical edge to it. I asked her if she had any objection to length of book or how old the book is. CK stated that any book I pick will be new to her, even if was written a hundred years ago, and that length is not a problem considering she finishes about a book a day. I asked her point blank if she would rather read a young adult book, or a horror novel. She said that she was in the mood for a horror story.
Bibliographic Aids
            I used Goodreads and NoveList to find recommendations for CK.
Recommendations
·         Lullaby by Chuck Palahniuk
·         Bloodsucking Fiends by Christopher Moore
·         American Psycho by Bret Easton Ellis
·         Roadwork by Richard Bachman (Stephen King)
·         John Dies at the End by David Wong
Results
            Whenever you provide readers’ advisory, there is always the chance that you will recommend books that the person has already read. In this case, CK had already read Bloodsucking Fiends, Roadwork, and John Dies at the End. Luckily, she said that she enjoyed all three books and that they would have been good fits for her mood. She has seen the movie American Psycho and always heard wonderful things about the novel. However, she chose Lullaby as it is a Chuck Palahniuk book she had not read. Three days later, CK reported back to me that she really enjoyed the book in its horrific and violent glory.

Subject #2: AS
Reader Profile
            AS is a casual, irregular reader of “fun” science fiction and fantasy, and young adult books. She only reads from time to time when she becomes bored of video games and television. Since the publication of the last Harry Potter novel, she has reread that entire series six times. Despite this love for J.K. Rowling’s cultural cornerstone, she has found little to grab her attention and spark her imagination since. A few years ago, she read the Hunger Games trilogy and several Doctor Who novels and enjoyed everything she read. AS told me that she does not like to read anything that is “realistic” or would be close to being assigned for an English class.
Interview
            With her reading history in mind, I asked her if she wanted to read a “fun” science fiction, “fun” fantasy novel, or a young adult novel. She replied that she wanted to read something like Harry Potter. Mentioning that Harry Potter is sometimes seen as a children’s book, I asked if she would mind if the books I recommended were from the “juvenile” section of the library. She stated that she did not care who the books were meant for, just as long as she enjoys it. Then I asked if she wanted a book series, or just a “one-off” novel. She said that she would not mind a series that she could decide to read if she liked the first book.         
Bibliographic Aids
            For this advisory session, I used Amazon, Goodreads, and NoveList to gather recommendations.
Recommendations
·         City of Bones by Cassandra Clare
·         The Rithmatist by Brandon Sanderson
·         The Alchemyst: The Secrets of the Immortal Nicholas Flamel by Michael Scott
·         The Amulet of Samarkand by Jonathan Stroud
·         Artemis Fowl by Eoin Colfer
Results
            After delivering recommendations to her, AS took to Amazon to read more about the suggested books. She felt that all five books would have fit what she wanted. However, due to sharing the same legendary character featured in Harry Potter and the Sorcerer’s Stone, she chose The Alchemyst by Michael Scott. While she readily admits that “it is no Harry Potter,” AS has moved on to reading The Magician, the second book in the six book series following Nicholas Flamel.

Subject #3: MH
Reader Profile
            MH is an irregular reader of mysteries and adventure novels. As he works around 55 hours a week and is gearing up to teach at Ball State University next year, MH has little time for recreational reading. He mostly listens to audiobooks on his long commutes to and from work, and during his long regular work trips to Dallas, Louisville, and Evansville. As he works in the banking industry, he likes to keep his reading, whether printed or audio, to be light and funny. He has read all 21 mainline Stephanie Plum novels, as well as the four “between the numbers” books. He mostly enjoys their lighthearted nature, but also likes the strong female protagonist.
Interview
            Knowing the subject for over 25 years, I asked him in-depth questions to find out why he reads what he does. I asked if the character Stephanie Plum was an essential reason for his love of those books. MH stated that it not a primary reason “but either a secondary or tertiary reason.” I followed up with determining if he was listening or reading to the books, as this would limit recommendations to only books available in an audiobook format. He stated that he was going to be reading this book rather than listening. Lastly, I asked if he wanted a “fun” book or a “thought-provoking” book, prefacing it with that these were not mutually exclusive. MH said he wanted a quick, fun read.
Bibliographic Aids
            For this advisory, I exclusively used NoveList.
Recommendations
·         Agnes and the Hitman by Jennifer Crusie
·         Star Island by Carl Hiaasen
·         Heads You Lose by Lisa Lutz and David Hayward
·         The Dog Who Knew Too Much by Spencer Quinn
·         First Grave on the Right by Darynda Jones
Results
            Outside of Carl Hiaasen, he had not heard of any of these authors. After reading synopses of the books, he chose to read First Grave on the Right. He said that he liked that it seemed fast-paced and that it had a snarky, strong female protagonist. Even though it drifted towards the suspense genre, there was some plot aspects that overlapped with Janet Evanovich’s premier series. A couple of weeks later, MH told me that he enjoyed the book, but he did not care for the supernatural elements of the story. He said that he would listen to the second book, Second Grave on the Left, on an upcoming trip to Florida.

Subject #4: HW
Reader Profile
            HW is a voracious reader of high fantasy. She names Tanith Lee’s Birthgrave series as some of her favorite books. HW is pretty stubborn about what she reads, as she will not read something if it does not capture her attention in twenty pages. Being exclusively tied to one genre of literature limits my options for recommendations, but it makes it easier to be successful in picking books HW should like.
Interview
            I began by asking what she thought of Brandon Sanderson’s work finishing Robert Jordan’s The Wheel of Time. She thought he did a great job replicating Jordan’s tempo and language that had become so recognizable. I asked if she had read any of Sanderson’s other work, to which she replied that she had not. As high fantasy tends to be lengthy as both singular works of fiction and as series that can be a dozen of volumes long, I asked HW if length was an issue. Like a true high fantasy fan, she stated that length is never a concern for her.
Bibliographic Aids
            I utilized NoveList and Goodreads to find high fantasy for HW.
Recommendations
·         Mistborn: The Final Empire by Brandon Sanderson
·         Wizard’s First Rule by Terry Goodkind
·         The Name of the Wind by Patrick Rothfuss
·         Written in Red by Anne Bishop
·         The Shadow of the Lion by Mercedes Lackey
Results
            For voracious readers of one genre, or in this case subgenre, it can be difficult to find books that they have not either read or attempted to read. She had already read Terry Goodkind’s Sword of Truth series. Yet, my question about Brandon Sanderson’s involvement in The Wheel of Time piqued her interest in his other books. Despite her wanting to read the other three recommendations, HW stated that she would read Mistborn first. She was not disappointed, stating that Sanderson is “a special author who knows how to craft a wonderful narrative.”

Subject #5: CB
Reader Profile
            CB is a daily reader of literary fiction. He is a retired English teacher who enjoys the literary fiction that he used to teach. He has been going back and reading books that he did not have a chance to when he was teaching. Recently, he read E.L. Doctorow’s Ragtime with the local book club and absolutely loved it. He feels that life is too short to read bad fiction, and he joked that he is attempting to read as many great books before “he starts to lose his eyesight, his hearing, and his mind.”
Interview
            With his reading goals in mind, I asked CB if it was important that the book received awards or overwhelming critical acclaim. He replied that the acclaim was important but that the awards were not, as the awards were “as much political as critical.” Then I asked if there was one author who he has read that he wish he read more, to which he replied John Irving. As literary fiction tends to be bleak and graphic, I asked if there were any themes he would rather not read about. He said that as long it is well written, he can read anything.
Bibliographic Aids
            To better determine recommendations for CB, I utilized NoveList, Goodreads, and Wikipedia in my search for great books.
Recommendations
·         The Sweet Hereafter by Russell Banks
·         The Kite Runner by Khaled Hosseini
·         Middlesex by Jeffrey Eugenides
·         A Confederacy of Dunces by John Kennedy Toole
·         The Amazing Adventures of Kavalier & Clay by Michael Chabon
Results

            Surprisingly, I found five books that the retired English teacher had not read. After receiving the list, CB said that he always meant to read Toole’s one and only book. He was pleased that all five books were critically acclaimed and featured a wide array of themes and characters. While he was going to read all five books, he said that he would start at the top with The Sweet Hereafter. After reading Russell Banks’ heartbreakingly sad story, CB said it was one of the best books he’s read since he retired five years ago.

Week 16 Prompt: Culture of Reading

For myself, reading is a little less magical and more clinical as a process. After nine years of college (four as an undergrad, three as a history graduate student, and two as a library science graduate student), reading is an intense process of determining layers of meaning underneath the surface. I now look for an index before I look for the foreword. As a child, I would allow myself to be fascinated by the author’s words. Le Guin (2008) noted that a book will tell you the same story throughout your life, “though you may understand it so differently that it seems you’re reading a whole new book” (p. 5).  When I was a child, I did not see the underlying mechanics of writing and storytelling. Now, that is all I see. I feel that is the ruination of years of studying postmodernist historiography. The inherent fun of reading is next to impossible for me to find anymore. Maybe after I graduate and my free time grows 50 times over, I can go back and find the joy of reading.

As I start to move back to recreational reading, there will be no shortage of great books to read from a multitude of genres, subgenres, and cross-over genres. While genre and literary fiction will remain, a multitude of new genres will form over the next twenty years. Fan fiction and new adult are the new genres that have formed over the past ten years. Along with new genres other established genres will take a whole new form. Young adult literature has redefined itself into a genre that is not only more readable for today’s teens, but is attractive to adults as well.

Despite the near-invasive levels of connectivity, we will be reading just as much twenty years from now as we are today. While book sales are down from what they were decades ago, eBook and eReader sales are up and there are more published writers today than ever before. While eReaders will allow for more interactive reading, I believe that there will still be a distinction between reading and interactive media.

As a librarian, the one thing I fear with regards to the future of books is the development of subscription services that provide hundreds of thousands of books. Oyster (www.oysterbooks.com) has already taken that leap. Scribd expanded to an eBook subscription service a few years ago. Amazon is approaching that with its Prime and Kindle First service. We are perhaps only years away from a Netflix-esque redefining of book consumption. Will Oyster and Amazon do to public libraries what Netflix has done to cable? I think that programming and the maker movement has future-proofed public libraries better than could have ever been imagined.

These services will only grow if the power publishing houses continue to consolidate. The Penguin and Random House merger in 2013 reduced the power publishers from 6 to 5. While Kickstarter and self-publishing through Amazon are credible options for big name authors (i.e. Stephen King) and first time authors, those who aren’t Joe Schmoe or James Patterson need the big publishers to provide marketing and advances.

REFERENCES

Le Guin, U. K. (2008, February). Staying awake: notes on the alleged decline of reading. Harper's Magazine, 316(1893). [Resources - Oncourse]

Sunday, April 26, 2015

Week 15: Marketing of Readers’ Advisory Services

What do you think are the best ways to market your library's fiction collection? Name and describe three ways you do or would like to market your library or your future library's fiction. These can be tools, programs, services, displays - anything that you see as getting the word out.

With the most recent update of my library’s ILS, we have the ability to create special “carousels” for items. While this may be seen as a glorified booklist, library staff members have the ability to change the items listed on the carousel daily with relative ease. Along with highlighting popular genres (i.e. mystery, science fiction, romance) and genres that may need more exposure (i.e. GLBTQ, westerns), we can also display books that have been ordered but have not been released. By placing upcoming titles front and center on our catalog, patrons who don’t read Bookpages or keep up on Goodreads will be excited to place holds on books before they come out.

Printed annotated booklists are great ways to suggest new and old fiction titles. They can follow certain genres, books from specific time periods, or be recommendations from library staff. While they can take time to produce, and can be costly if printed in color, the work load can be shared by several staff members. Booklists can also be a good way for Friends of the Library to get involved in finding new membership and increasing the number of active readers in the library.

In my community, I believe that more book discussion groups would help increase visibility of the library’s fiction collection. Saricks (2005) states that “no public library can afford not to offer an opportunity for patrons to gather to discuss books, both fiction and nonfiction” (p. 157). Specialized genre book groups, and groups catering to the reading habits of “new adults” can help provide visibility on different parts of the fiction collection. When book clubs choose to read certain books, even non-members place those books on their “to read” lists.

These three marketing methods spread exposure to the library’s fiction collection electronically, through print, and through word-of-mouth. Diversification of marketing methodologies is of utmost importance for the continued success of the library’s traditional literacy goals.

References
Saricks, J. (2005) Promoting and marketing readers’ advisory collections and services. In Readers’

Advisory Service in the Public Library. Chicago: ALA. 136-160.

Sunday, April 19, 2015

Week 14 Prompt: Urban Fiction and GBLTQ Fiction

Consider yourself part of the collection management committee of your local library, or a library at which you would like to work. You must decide whether or not to separate GBLTQ fiction and African American Fiction from the general collection to its own special place. Some patrons have requested this, yet many staff are uncomfortable with the idea - saying it promotes segregation and disrupts serendipitous discovery of an author who might be different from the reader. Do you separate them? Do you separate one and not the other? Why or why not? You must provide at least 3 reasons for or against your decision. Feel free to use outside sources - this is a weighty question that is answered differently in a lot of different libraries.

The Pendleton Community Public Library will always strive to provide diverse materials, including GBLTQ fiction and African American fiction. However, the collection management committee feels that these diverse collections should be integrated into the adult fiction collection, along with all genre and literary fiction written for a general audience. Among the reasons why are:
  1. Thomas (2007) notes that “A separate section for gay and lesbian fiction might pose problems, making some readers feel exposed when browsing and other ghettoized” (p. 40). In our small suburban, yet liberal, community, having GBLTQ fiction available in the public library will most likely not be challenged. However, while having a separate place for GBLTQ fiction would provide increased visibility for the titles, it will also increase visibility of the patrons who may not feel completely comfortable with publicizing their sexuality amongst their neighbors.
  2.  Providing a separate section for African American fiction could be equated to segregation of “black” fiction and “white” fiction. By having African American fiction separate, it may cause some patrons to believe that African American fiction is not of the same quality as general literary fiction or that it is not for patrons of other ethnicities.
  3. From a staffing perspective, our children’s area is inundated with split collections which creates numerous shelving mistakes and increases the number of location assist questions for circulation and reference desk staff. Splitting up the adult fiction collection, beginning with GBLTQ and African American fiction, could cause an increase in an already burdensome assistance load.
  4. Finding aids, bookmarks, short term displays, and a social media campaign would go far to increase visibility for urban fiction and GBLTQ fiction. Without shifting the entire fiction collection to make space for specialized sections, finding aids, if regularly updated, will be of immense assistance in allowing patrons to easily find titles to their liking.
REFERENCES

Thomas, D. (2007). A Place On the Shelf. Library Journal (1976), 132(8), 40-3. Retrieved from Library Lit & Inf Full Text database.

Sunday, April 12, 2015

Annotation (Young Adult Fiction): Winger by Andrew Smith

Bibliographical Information
Title: Winger
Author: Andrew Smith
Genre: Young adult
Publication Date: May 2013
Number of Pages: 440

Synopsis
Ryan Dean West is a “winger” for his school’s rugby team. He is also a 14-year-old junior who is younger than his teammates, his friends, and his crush, who thinks of him as just a friend. The book covers his immature junior year in its ups and downs through the recollections of Ryan Dean at a unspecified later date. Like many 14-year-olds, Ryan Dean is pervy when it comes to the opposite sex, but has excellent insight when it comes to his friend’s homosexuality and the hostility between his teammates off the field. While the book starts off much more lighthearted than Dead Poets Society, the book takes a dramatic turn in its last 50 pages. With its amazing pacing and wonderful drawings throughout, Winger feels like a diary of a college aged man looking back at his youth. And that’s a great thing.

Characteristics of Young Adult Fiction
Winger features numerous several characteristics of young adult fiction.
·         Winger reflects the words and thoughts of teenaged boys, which makes it approachable to that group of readers.
·         It deals with contemporary issues that teens face on a daily basis, including peer pressure, bullying, sex, sexual identity, the loss of old friends, and the beginnings of new friendships.
·         It displays a range of emotions that teens experience, partially due to puberty.
·         Rather than being watered down, Winger has fully realized characters who seem real with their problems and personal histories.
·         Like most histories, Howe’s book features incredible maps and illustrations.

Read-a-likes
Looking for Alaska by John Green
Spud by John Van de Ruit
Lucky Fools by Coert Voorhees
The Absolutely True Story of a Part-Time Indian by Sherman Alexie

Noggin by John Corey Whaley

Week 13 Prompt: Graphic Novels and YA Appeal in the Library

Though this week's group of "genres" all seem very different, they all have in common the fact that many people don't feel that they are legitimate literary choices and libraries shouldn't be spending money on them or promoting them to adults. Obviously, graphic novels are becoming more acceptable, but I still had to fight to get my progressive library in a liberal college town to purchase a book club kit containing graphic novels. The common belief is that adults still don't or shouldn't read that stuff. How can we as librarians, work to ensure that we are able to serve adults who enjoy YA literature or graphic novels? Or should we?

I believe that it is important for all librarians to understand that we need to feature diverse formats and genres within the library. Audiobooks, large print, and ebooks are relatively new “formats” (in comparison to normal print) that allow readers of all ages to enjoy books on the go and/or after our eyesight declines. For people who want more artistic flair with their reading, graphic novels are perfect. With regards to genre, for those who enjoy the “bildungsroman” classics like The Catcher in the Rye, To Kill a Mockingbird, or The Outsiders, young adult literature will fulfill their needs.

As librarians, we need to understand the literary merit of graphic novels. Watchmen tells a story that couldn’t be told in any other way (as the movie adaptation did not come close to the emotional depth that the original work reaches). Blankets is heartfelt autobiographical portrait of romance found and lost. Persepolis explores a world completely foreign to most Americans. Readers can make the leap from genre fiction to graphic novels, and vice versa. Science fiction, fantasy, horror, and biography readers can find the same genre easily represented in graphic novel format. Knowing this, graphic novels readers’ advisory should be a little simpler. Recommending a graphic novel to a housewife wanting a romance novel would be a little like shooting yourself in the foot…a disaster.

That housewife would be more inclined to read a young adult novel, a genre where young romance and personal coming-of-age problems are the norm rather than the exception. The young adult genre has become a genre with “crossover appeal” for adults and teens, probably due to the proliferation of ereaders. Young adult books are usually wonderfully written without the need for a dictionary and thesaurus to read.


Finally, just as graphic novels and young adult literature are not for some adults, “literary fiction” is not for some as well. Just because someone does not enjoy or understand science fiction, there is no discussion as to whether the public library should offer the genre’s numerous high-quality books to its patrons. The same should apply to young adult and graphic novels. We purchase books that patrons want to read and we do not judge a reader for their own personal choices.

Monday, April 6, 2015

Annotation (Nonfiction): What Hath God Wrought by Daniel Walker Howe

What Hath God Wrought - The Transformation of America.jpgBibliographical Information
Title: What Hath God Wrought: The Transformation of America, 1815-1848
Author: Daniel Walker Howe
Genre: Nonfiction
Subgenre: History
Historical Period: Antebellum period
Publication Date: October 2007
Number of Pages: 928

Synopsis
The fifth volume of the Oxford History of the United States, Daniel Walker Howe has written the great synthesis history of this period ever. Winner of the 2008 Pulitzer Prize for History and the American History Book Prize, What Hath God Wrought covers a period of history that gets overshadowed by its bookends: the First Generations of the Americans that fought for and won independence, and the Third Generation that fought in the Civil War. Howe argues that American democracy was revolutionized by the growth of the market economy, the awakening of Protestant churches and the creation of political parties. Along with the development of new communications technologies and transportation methods, America found its “manifest destiny” in expanding west beyond the Mississippi River. However, with all the great things America created, the ills of the past inflated with the expansion of slavery and the removal of Native Americans from the Southeast and Midwest.

Characteristics of History
  • What Hath God Wrought features numerous several characteristics of non-fiction for non-task based reading.
  • The book may not read exactly like a novel, but has an incredible narrative that acts like a story’s part one culminating eventually with the Civil War.
  • For patrons who are interested in the Civil War may find the subject of the antebellum period that features numerous political and military leaders from that period to be of great interest.
  • Despite it being a history book, it is not hindered by a ridiculous number of citations and side stories. Each chapter covers a fragment of the story that are narratives in their own right.
  • The author explores incredible characters like James K. Polk, Samuel Morse, Andrew Jackson, and Henry Clay. The author uses actual historical events to frame the microcosm the plot explores.
  • Like most histories, Howe’s book features incredible maps and illustrations.
  • As it is meant to teach, What Hath God Wrought has an ominous tone, as the nation moved closer toward fracturing with the development of political parties, and horrible human atrocities were propagated by the American federal and state governments on minorities.

Read-a-likes
The Glorious Cause: The American Revolution, 1763-1789 by Robert Middlekauff
Empire of Liberty: A History of the Early Republic, 1789-1815 by Gordon S. Wood
Battle Cry of Freedom: The Civil War Era by James M. McPherson
Freedom from Fear: The American People in Depression and War, 1929-1945 by David M. Kennedy

Grand Expectations: The United States, 1945-1974 by James T. Patterson